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As mentioned, additional sequences and songs from the original off-Broadway show were dropped or re-written in order for the feature version to be paced well. It was very dissatisfying for both of us that we couldn't do what we wanted. In the final cut, the dream sequence and much of the song is cut out. So creatively, no, it didn't satisfy us and being true to the story. Geffen and Ashman liked what he had written and decided to go with what he did.

The plant was made in six different stages of growth and there were three different versions of Mushnik's shop, making it possible for two units to work with different sized plants at the same time. It supposedly took Steve Martin six weeks to film all his scenes as Orin. They're gone and so the audience lost the people they loved, as opposed to the theater audience where they knew the two people who played Audrey and Seymour were still alive. Tisha Campbell was unavailable for the final appearance of the chorus girls in the yard and was replaced with a lookalike seen only from the waist down. Barbra Streisand was also rumored to have been offered the part.

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It was awful and the cards were just awful. This was countered by having Ellen Greene and Rick Moranis put ice cubes in their mouths. Oz was also studying the Off-Broadway show and how it was thematically constructed, all in order to reconstruct it for a feature film. Since Greene was the original off-Broadway Audrey, the role was given to her. He contributed ideas such as socking the nurse in the face originally he was to knock her out using his gas mask and ripping off the doll head.

As originally filmed, it detailed through a dream sequence Seymour's rising success and the need to keep the plant fed and impress Audrey. This scene was re-shot and the reprise was placed later in the new ending. Oz spent a month and a half to restructure the script which he felt was stage-bound.

Oz and his crew did not want to shoot on location as it would tamper with the fantastical mood of the film. The title song is expanded to include an additional verse to allow for more opening credits. Oz and Ashman wanted to retain the ending of the musical where Seymour and Audrey die and the plant succeeds and takes over the city of New York, but Geffen was actually against it.

Geffen wanted to theatrically re-release the film with the original ending intact. The visual effects were completed for the Director's Cut of the film. Each of the talking plants had to be cleaned, re-painted and patched up at the end of each shooting day, which would take up to three hours depending on the size.

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They realized they could film the puppet at a slower speed, making it appear to move faster when played back at normal speed. When the film ran backwards or forward at a faster than normal speed, verba curandi latino dating the footage looked much more convincing and lifelike. But we also understood the realities that they couldn't release the movie if we had that ending.

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They loved those people, and they hated us for it. The full size one that is seen to interact with Seymour and Mushnik was not provided with lip movement, but was built to swallow Mushnik's mechanical legs.

She nailed that part for years off-Broadway. But because of its size, the stage was impractical to heat properly and thus caused breath condensation to appear from the actor's lips.

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Oz initially rejected it, but he later had an idea that got him into the cinematic aspect of the project, which he did not figure out before. It was the right choice, it didn't really add value to the entire cut. During the talk, he announced that the film would be released as a new special edition with the original ending restored. Geffen agreed to this, but they received the same negative reaction as before. It was a complete disaster.

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